Begin at 60 BPM
Use the preset until all four gaps sound equal. The accented first click marks the quarter-note beat; the other three clicks complete that beat rather than adding new beats.
Four equal pulses per beat
Start at 60 BPM with four evenly spaced clicks per quarter-note beat and count 1-e-and-a. Each sixteenth-note click is 250 milliseconds apart.
Local Web Audio clock
Choose from 1 through 8 equal clicks. The first click is accented.
Automatic modes change only on a beat boundary and keep the selected BPM.
Current clicks per beat: 4
Audio is scheduled on the browser audio clock. Bluetooth, device buffers, power saving, and background tabs can add latency; the visual pulse is only a guide.
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The BPM still measures quarter-note beats. Sixteenth-note mode divides every beat into four equal clicks; at the 60 BPM preset, each click is 250 milliseconds apart.
Use the preset until all four gaps sound equal. The accented first click marks the quarter-note beat; the other three clicks complete that beat rather than adding new beats.
Place one syllable on each click: the number on the accented beat, then e, and, a. Keep the middle clicks centred instead of rushing them toward the next beat.
Switch between two-click eighth notes and four-click sixteenth notes without changing BPM. In the four-click grid, the eighth-note clicks land on the numbered beat and the “and” syllable.
One BPM · eight grids
One accented click for each quarter-note beat.
Two equal clicks per beat, counted 1-and.
Three equal clicks per beat, not a dotted rhythm.
Four equal clicks per beat, counted 1-e-and-a.
Five equal clicks per beat for an odd five-part subdivision.
Six equal clicks per beat for an even six-part subdivision.
Seven equal clicks per beat for an advanced odd subdivision.
Eight equal clicks per beat; begin slowly so every gap stays even.