Begin with the preset
Keep the 80 BPM preset or slow it until all three gaps sound equal. The larger first pulse marks the quarter-note beat; it is not an extra click.
Three equal pulses per beat
Start at 80 BPM with three evenly spaced clicks per quarter-note beat, then set any whole tempo from 20 to 300 BPM.
Local Web Audio clock
Choose from 1 through 8 equal clicks. The first click is accented.
Automatic modes change only on a beat boundary and keep the selected BPM.
Current clicks per beat: 3
Audio is scheduled on the browser audio clock. Bluetooth, device buffers, power saving, and background tabs can add latency; the visual pulse is only a guide.
Count · match · alternate
The BPM still measures quarter-note beats. Triplet mode places three equal clicks inside each beat; at 60 BPM, those clicks are 333.3 milliseconds apart.
Keep the 80 BPM preset or slow it until all three gaps sound equal. The larger first pulse marks the quarter-note beat; it is not an extra click.
Say “1-trip-let, 2-trip-let” and place one syllable on each click. Do not squeeze the middle click toward either edge of the beat.
Switch between the two-click eighth-note grid and the three-click triplet grid without changing BPM. The beat stays fixed while only its subdivision changes.
One BPM · eight grids
One accented click for each quarter-note beat.
Two equal clicks per beat, counted 1-and.
Three equal clicks per beat, not a dotted rhythm.
Four equal clicks per beat, counted 1-e-and-a.
Five equal clicks per beat for an odd five-part subdivision.
Six equal clicks per beat for an even six-part subdivision.
Seven equal clicks per beat for an advanced odd subdivision.
Eight equal clicks per beat; begin slowly so every gap stays even.